On yet another day when senseless violence (the murder of Sufis at a mosque in Egypt) calls into question the meaningfulness of bringing music into the world, I chanced across Margaret Atwood’s devastating poem “Orpheus (2)”. I suppose that, rational or not, one can only go on hoping that some day, some Orpheus will succeed where Atwood’s Orpheus failed and “sing love into existence again.”  Absent such a possibility, writing beautiful music seems like a senseless activity.
Whether he will go on singing
or not, knowing what he knows
of the horror of this world:
He was not wandering among meadows
all this time. He was down there
among the mouthless ones, among
those with no fingers, those
whose names are forbidden,
those washed up eaten into
among the gray stones
of the shore where nobody goes
through fear. Those with silence.
He has been trying to sing
love into existence again
and he has failed.
Yet he will continue
to sing, in the stadium
crowded with the already dead
who raise their eyeless faces
to listen to him; while the red flowers
grow up and splatter open
against the walls.
They have cut off both his hands
and soon they will tear
his head from his body in one burst
of furious refusal.
He foresees this. Yet he will go on
singing, and in praise.
To sing is either praise
or defiance. Praise is defiance.