Among some of my new FB friends, one (Anna Gann) performs with the Gernsheim Duo. Curious as to the name, I started looking on-line, and (one of my favorite things) discovered yet another wonderful composer entirely new to me. It always makes me wonder how someone who was widely performed and whose great musicianship was highly admired in their own time, disappears. In this case, it seems one reason for that (at least according to one writer) was that Friedrich Gernsheim was Jewish and his music was prohibited from performance in Nazi Germany. That’s a wrong that will hopefully, in time, be corrected. I have found a performance on YouTube of his four symphonies, and as is my habit when up in the middle of the night, I listened to several last night. To my mind, as a symphonist, he can hold his ground with any of the great Romantic symphonists. Now listening to one of his string quartets (link below) – also first rate. I have to find time to follow down this path, as he wrote many piano quartets and quintets, a large body of art songs, and other works. It remains a mystery, at least to me, how a composer of his skill and depth, can wind up side-lined by history, while on radio and in the concert hall, we listen to the same small, albeit great, list of composers over and over and over again.