Fiddling while Rome burns?

These days, when I (figuratively) put pen to music paper, I have to remind myself why I do this. Suffering from a steady drumbeat of depressing news (which I should make more of an effort to avoid), I can’t help but feel as the notes spin out that I am perhaps fiddling while Rome burns. Music is one of the most extraordinary expressions of human spirit, yet when our country has been (astonishingly) placed voluntarily by the electorate into the hands of barbarians, I wonder how writing more notes, no matter how beautiful, will ever cure that ailment.

As a youngster, I grew up in a household with a rather small collection of classical music. I spent many hours, late at night, lying in the dark staring at the living room ceiling, being carried to another world by a recording of Bach’s b minor mass that my mother, for whatever reason, had in her record collection. The urge to create something so achingly beautiful that survives the passing events of the world, no matter how devastating they might be for those who have to live (or die) through them, was born there, in the Bronx, during such nights.

My music writing is my way of paying back Bach (and many others) for that gift. I can only hope that the music, for whatever it is worth, in its own small way, will help keep the barbarians at bay, serving as a reminder of a delicate, interior world that is real, valuable and needs to be cherished and nurtured, perhaps most of all during bad times.